Sebastian Gardner competently tackles one of Sartre's more complex and challenging works in this new addition to the "Reader's Guides" series."Sartre's 'Being and Nothingness': A Reader's Guide" follows the successful format of "Continuum's Reader's Guides" series, designed specifically to meet the needs of undergraduate students. Gardner provides a brief biographical and contextual sketch, introducing Sartre's novels and political activism. He also includes an overview of contemporary French philosophy and the influence of World War II. The book gives a unified view of the (seemingly disparate) topics discussed in "Being and Nothingness" by taking them as answers to the problem of human freedom. It also shows how Sartre's work can be placed in a long and distinguished tradition of philosophical reflection deriving from Kant.Gardner's 'Reading the Text' section reveals the systematic nature of Sartre's thought and the subtleties of his arguments (both of which can remain hidden form the first-time reader in his dense prose). Finally, the book includes a discussion of the post-war reception of existentialism; criticisms of Being and Nothingness, including Sartre's own following his conversion to Marxism and Merleau-Ponty's in the Phenomenology of Perception; the temporary eclipsing of Sartre's thought by structuralism and Sartre's influence and importance today. This is an invaluable companion to study of this important and influential philosophical text."Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.
When Connecticut mechanic and foreman Hank Morgan is knocked unconscious, he wakes not to the familiar scenes of nineteenth-century America but to the bewildering sights and sounds of sixth-century Camelot. Although confused at first and quickly imprisoned, he soon realises that his knowledge of the future can transform his fate. Correctly predicting a solar eclipse from inside his prison cell, Morgan terrifies the people of England into releasing him and swiftly establishes himself as the most powerful magician in the land, stronger than Merlin and greatly admired by Arthur himself. But the Connecticut Yankee wishes for more than simply a place at the Round Table. Soon, he begins a far greater struggle: to bring American democratic ideals to Old England. Complex and fascinating, "A Connecticut Yankee" is a darkly comic consideration of the nature of human nature and society.
It is an August morning. It is an old English manor-house. There is a breakfast-room hung with old gilded leather of the times of the Stuarts; it has oak furniture of the same period; it has leaded lattices with stained glass in some of their frames, and the motto of the house in old French, "J'ay bon vouloir," emblazoned there with the crest of a heron resting in a crown. Thence, windows open on to a green, quaint, lovely garden, which was laid out by Monsieur Beaumont when he planned the gardens of Hampton Court. There are clipped yew-tree walks and arbors and fantastic forms; there are stone terraces and steps like those of Haddon, and there are peacocks which pace and perch upon them; there are beds full of all the flowers which blossomed in the England of the Stuarts, and birds dart and butterflies pass above them; there are huge old trees, cedars, lime, hornbeam; beyond the gardens there are the woods and grassy lawns of the home park. The place is called Surrenden Court, and is one of the houses of George, Earl of Usk, -his favorite house in what pastoral people call autumn, and what he calls the shooting season.
"What insolence!" John Grange's brown, good-looking face turned of a reddish-brown in the cheeks, the warm tint mounting into his forehead, as he looked straight in the speaker's eyes, and there was a good, manly English ring in his voice as he said sturdily-
The interaction between corporations and non-governmental organizations (NGOs) has become an important topic in the debate about corporate social responsibility (CSR). Yet, unlike the vast majority of academic work on this topic, this book explicitly focuses on clarifying the role of NGOs, not of corporations, in this context. Based on the notion of NGOs as political actors it argues that NGOs suffer from a multiple legitimacy deficit: they are representatives of civil society without being elected; the legitimacy of the claims they raise is often controversial; and there are often doubts regarding the legitimacy of the behaviour they exhibit in putting forward their claims. Set against an extended sphere of political action in the postnational constellation this book argues that the political model of deliberative democracy provides a meaningful conceptualization of NGOs as legitimate partners of corporations and it develops a conceptual framework that specifically allows distinguishing legitimate partner NGOs from two related actor types with whom they share certain characteristics but who differ with respect to their legitimacy. These related actor types are interest groups on the one hand and activists on the other hand. In conclusion it argues that a focus on the behaviour of NGOs is most meaningful for distinguishing them from interest groups and activists.
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